1.011 file audio bebas royalti untuk "Studio Recording"

Stohgsville entertainment creation. . . Drone type sound, mixed timbers. Metallic container. Recorded in fl studio (d. A. W. ) realtek hdcasio ctk-2400 amt. Usage: useful for background/mystery suspense works. Submarines. Metal influences. Drifting waves, illusive. Dream-state. Dark world. A mysterious ambient pad loop i made. Recorded at 84 bpm. Good for background atmosphere scenes/ques. Use as needed. Any questions send me a message. Enjoy, peace.

An ambient, white noise wall of sound recorded as i walked through our well ventilated university print shop. You can hear a variety of machine noises that layer to create a constant hum, with a swelling rise and fall like occasional waves. Some of the vents whistle, some tick or click and purr. Near the very end, there is a single sharp click. The ventilation system is an anti-fume tube series used for printmaking. Recorded on a microtrack ii. General information: recorded indoors on handheld microtrack while walking from room to room. No noticeable footstep sounds. No voices. Room has high ceilings and cement floors.

This is a recording of a guitar loop heavily processed. Equipment used = yamaha pacifica guitar, roland duo capture audio interface, sony acid pro 7. 0, sony sound forge pro 10, fl studio 10, waves plugins (comp-gate and morphoder), antares filter, cycling 74 pluggo (sizzle delays), korg ms 20 emulator. Thanks for czechin out my sounds. . . Enjoy!.

Volume 1 of a new series, 5 minute recordings of me doing stuff with a certain effect/synth, or alternatively playing on my keyboard. Sample/modify/use however you want. Made with fl studio 12, edison, and xfer deltamodulator. If you use this in anything, please put it in the comments, me and other people may want to check it out!. .

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

Gravação em estúdio feito em uma embalagem de alumínio contendo alguns grãos de milho fechada com papel. Recording in studio made with a packing of aluminium containing corn grain closed with paper. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recording for the discipline captation and edition of course radio, tv and internet from university anhembi morumbi. São paulo-sp/brazil.

“noc noc'': knocks on wood with quick breaks. Three knocks, then seven knocks, then seven knocks again. Sound recorded by adobe auditions, with shure vp89 shotgun microphone with behringer u-phoria umc404hd audio card. Sound recorded at ort school's foley studio in february 2022. ". "noc noc”: batidas na madeira com intervalos rápidos. Três batidas, depois sete batidas e novamente sete batidas. Som gravado pelo adobe auditions, com microfone shotgun shure vp89 com placa de áudio behringer u-phoria umc404hd. Som gravado no estúdio de foley da escola ort em fevereiro de 2022. ".

I fluttered a plastic spatula in front of my tlm-103 in the studio. It's recorded at 96k, 32 bits, so you can stretch it or pitch it any way you want. If you want it to sound small you'll want to filter off the low end. On the other hand, you can probably get some fun gigantic effects by using just the bass, or even pitching it down. This was for the moth wing flutter in "molly moth saves christmas":http://kidpodtheater. Com/molly-moth-saves-christmas/.

Recording done 25/04/2020 in manizales, caldas. Soundscape of high quality, interior of design studio, preparing implements to draw. Details of recording:height: building 5th floor. Frequency:44. 100recorder: huawei dra-lx3////////////////grabación realizada el 25/04/2020 en manizales, caldaspaisaje sonoro de alta fidelidad, interior de mi estudio de dibujo preparando herramientas para dibujar. Detalle de captura:altura: edificio piso 5frecuencia: 44. 100grabadora: huawei dra-lx3.

Here's a sound of me opening a beer can. The stages are separated, but you can edit them together if you want to have the initial pressure release and the rest of the procedure. Or you could take each part separately and make something completely unexpected from this recording. Captrued using behringer b-1 microphone into presonus studio 24c interace into audacity using pipewire on arch linux at 48khz 24-bit. The audio is unprocessed, each bit straight from the adc. Cheers!.

A jumpscare/screamer sound that can be used for a horror game. I yelled into the mic, i then edited it with a few effects, then i added one of the snare samples built into the daw, then i added a synth (fake synth built in to the daw) and then heavily distorted it with a few more effects. My yelling was recorded with my phone's built-in mic and the daw i used was fl studio mobile (used cloud storage to transfer to my computer). I made this for my five nights at freddy's fangame.

A two minute section of angry mob/riot noise for a production of henry vi part 1, performed by italia conti 2nd year students in the italia conti sound studio. Stereo pair recording of 14 voices (fairly even mixture of male/female) for 2 minutes, featuring shouting, grumbling, and general riot noise - with some specific references to the play (e. G. "gloucester"). Raw, as recorded. Don't mind where used, but would appreciate a comment as i'd be greatly interested as to what you used it for.

My childhood piano, an old german upright. Recorded using a studio projects b3 condenser mic through a presonus tubepre into an akai mpc1000. Mic'd from the top with the lid up, closer to the bass end. The piano is old and slightly out of tune, with a crack in the soundboard. The only processing was with analogx autotune to tune the samples, which did a very good job. Sampled 3 notes per octave so each sample only needs to be tuned + or - a semitone to span the whole range. It is a dark and moody sounding, a lot of character but in now way "pristine".

A short clip from one of my original compositions. All instruments, vocals and recording by f. Benjamin (me ~ badoink)equipment used: audacity, yamaha synthesizer, zoom r8 portable studio, hydrogen and my gronked up brain. All my sounds are licensed as creative commons 0 and can be used for whatever you like. I don't require that you give me credit but it is appreciated. I answer all my messages here so feel free to contact me.

An experimental soundscape from space. This is my first texture sound, let me your feedbackand and share your usage with me!. File :- duration : 43 sec- type : wav- size : 7. 26 mo- resolution : hd 16bit 44,1khz stereo. Sound specification :- origin : sample recorded. - sujet of sample : electric switch. Production tools :- daw : fl studio 20- effects : experimental reverb, phaser, lfo filters, modulation, equalizer, compressor. For more information please, contact me by private message or by mail at : alayan@orchestral. Be.

Here in the midwest we were treated to a nice preview of autumn here in the northern hemisphere. Both the temperature and humidity were nicely lower than usual and this soundscape was recorded featuring the beautiful northern breezes and a few of the birds that still live here. Since this ambience was recorded during the work-week, there are hardly any man-made internal combustion engine noises. Just the wind lifting and swirling through the tired forest and the blue jays, crows and insects. Recording made at 2:30pm on september 13 2022. Equipment used: recorder-sound devices 702microphones- left channel- sennheiser mkh 416right channel - sennheiser mkh 8070. The right channel, the very low-noise direction shotgun microphone, was pointed just about straight up at the leaves and branches of a huge cottonwood tree whose dry leaves were putting on a show. Hope you can hear this. Recorded and edited in stereo so either good studio monitors or headphones will make you feel you are in the forest surrounded by the gentle breezes swirling through oaks and cottonwood trees and insects and birds.

Chromatic handbells 12 tones. C# tone. File 48khz, 24bit, stereo, no processing. Normalized to -3db. Recorded using a-b stereo technique witch 30 cm spacing between and 50 cm from bell. Microphones: a pair of dpa 4006 microphones with ua0777 nose conesinterface: focusrite saffire liquid 56. Studio room: w:2,5m x d:2. 0m x h:2,8m. Each file contains 3 techniques: single tone, double and ringing bell.

Squadron Song performed by the Singing Sergeants and Concert Band of the United States Air Force Band. Track 11 (B5) from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

Title/Work: Trumpet Concerto in E Flat Content: - Genre(s): Chamber music Author(s)/(Composer(s): Joseph Haydn (1732-1809) Music arranger(s): none Lyricist(s): none Performer(s): Philharmonia Orchestra; Trumpet: Harry Mortimer (1902-1992); Organ: Reginald Foort (1893-1980) Conductor: George Weldon (1908-1963) Place of recording: EMI Studio No. 1, Abbey Road, London (United Kingdom) 1st release date: 1949 1st recording date: 19 June 1946

1st release date: 1938 1st recording date: 29 August 1937 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Robert Reinick (1805-1852) Music arranger(s): none Conductor: none Performer(s): Tenor: Helge Rosvaenge (1897-1972), Pianoforte: Gerald Moore (1899-1987) Vocal range: Tenor with pianoforte accompaniment Title/Work: Gesellenlied Content: - Genre(s): Tone poem

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band. Track 6 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

Robinson's Grand Entry March performed by the Concert Band of the United States Air Force Band. Track 3 from A Symphony in the Sky (1965). Recorded at the U.S. Air Force Band studios, Bolling Air Force Base, Washington, D.C. Credits: Chorus Master – Franklin J. Lockwood Conductor – Arnald D. Gabriel Liner Notes – Sergeant Harry H. Gleeson Audio Supervisor: Sgt. Al Derecki. Engineers: Airmen John Long, Jerry Schwinger and Bill Seabrook

Title/Work: A Trumpet Voluntary Content: - Genre(s): Chamber music Author(s)/(Composer(s): Henry Purcell (1659-1695) (in fact the work of Jeremiah Clarke (1674-1707)) Music arranger(s): none Lyricist(s): none Performer(s): London Brass Players; Trumpet: Harry Mortimer (1902-1992); Organ: Reginald Foort (1893-1980) Conductor: George Weldon (1908-1963) Place of recording: EMI Studio No. 1, Abbey Road, London (United Kingdom) 1st release date: 1949 1st recording date: 8 November 1948

Here in the midwest we were treated to a nice preview of autumn here in the northern hemisphere. Both the temperature and humidity were nicely lower than usual and this soundscape was recorded featuring the beautiful northern breezes and a few of the birds that still live here. Since this ambience was recorded during the work-week, there are hardly any man-made internal combustion engine noises. Just the wind lifting and swirling through the tired forest and the blue jays, crows and insects. Recording made at 2:30pm on september 13 2022. Equipment used: recorder-sound devices 702microphones- left channel- sennheiser mkh 416right channel - sennheiser mkh 8070. The right channel, the very low-noise direction shotgun microphone, was pointed just about straight up at the leaves and branches of a huge cottonwood tree whose dry leaves were putting on a show. Hope you can hear this. Recorded and edited in stereo so either good studio monitors or headphones will make you feel you are in the forest surrounded by the gentle breezes swirling through oaks and cottonwood trees and insects and birds.

Various zipping sounds. Great for cartoon animation vids. Uses: cartoon car driving off. Robot movements. Titles, words, and letters sliding from the side of the screen. Use the zipping sound of the beads being pulled to create a feeling of something moving from here to there by editing the sound. -[ recording info ]-. Created by pulling a long strand of christmas tree beads in my hands while in front of the mic. Studio mic: at4033recorded in: adobe audition 3mastered: using eq, compressed, noise gated, and normalized to -. 1. *no credit is ever needed to use my samples!*read my profile for further info.

A short clip from one of my original compositions. All instruments, vocals and recording by f. Benjamin (me ~ badoink)equipment used: audacity, yamaha synthesizer, zoom r8 portable studio, hydrogen and my gronked up brain. All my sounds are licensed as creative commons 0 and can be used for whatever you like. I don't require that you give me credit but it is appreciated. I answer all my messages here so feel free to contact me.

These are two guitar solo outtakes from a guest guitar session i was asked to be on. They essentially wanted that early era slayer vibe where there is more cacophonous noise than structure. I think i recorded 15-20 for two sections in one song. They chose two other files and this was the one i liked best to keep as a memento. I am the creator and owner of the audio contained within the file. I know guitarists these days want to sound like an andy sneap plugin, but this may give someone a different idea. Within the context of the song they were for they fit well. I'm not apologizing for the playing or quality of the recording. Just something i did for a friend that took me 4x as long to set up than total time under the red light. It was fun.

1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Conclusion): Allegretto grazioso Genre(s): Piano concert

I'm at the corner of 5th and kansas not far from kair 93. 7fm studios. This sound starts with the band from part1 departing and a truck passing. Children talk and yell and a man yells something. Another band approaches. A woman seems to tell someone to say cheese in the distance. The file ends when the band gets a bit too loud for my microphone. Recorded with goldwave with an asus laptop in my backpack and a microsoft lifecam3000 poking out of it facing behind me clothes-pinned to one of the handles of the pack. Unfortunately microsoft no longer supports their lifecam apps so it's not possible to turn down the internal mic gain.

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.4: 2nd Movement (Conclusion) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Serge Koussevitzky (1874-1951) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 2nd Movement (Part 2): Marcia funebre (Adagio assai) Genre(s): Symphonic

X-act heavy metal drum kit==========================drum kit: tama rockstarsnare: mapex maplecymbals: zildjianall were recorded in studio with a sennheiser e835 microphone plugged into a roland juno-g synthesizer. Cymbals need some 15khz eq increase because of the dynamic microphone's treble roll-off. No copyrights, free for all uses. I recommend using native instruments battery to launch the samples. Each of the battery's cells can accept stacked multi-samples, and the kit can be played through an electronic drum kit through midi. Excellent results. Any comments, contact matias: matias. Reccius@gmail. Com.

New life - hospital - labor - pain - birth - midwife saying "it´s a girl". This sample was made with mixcraft 9 recording studio. I built this sample from several samples of freesound in the thought or commitment that i can not only take but also must give. I believe that human togetherness can only work this way. -------------------------------------------------------------maybe you are interested in my other music on pond5?https://www. Pond5. Com/de/artist/seelengold. In my other music here on freesound?https://freesound. Org/people/seelengold/-------------------------------------------------------------. Thanks to freesound. Org. And thanks to all who bring this project to life!. Many greetings from germany.

Seis pessoas bateram palmas num estúdio de forma sucessiva onde o som foi aumentando com o tempo, utilizamos dois canais para gravação e os mixamos o som era para ser utilizado em uma comemoração. Os equipamentos que estamos usando:microfone- shotgun shure vp89 placa de áudio - behringer u-phoria umc404 hdsoftware de gravação - adobe audition. Six people clapped in succession in a studio where the sound increased over time, we used two channels for recording and mixed them. The sound was to be used in a celebration. The equipment we are using:microphone- shotgun shure vp89 audio card - behringer u-phoria umc404 hdrecording software - adobe audition.

Your stereotypical wind chime sound effect. Used a lot for transitions into dream sequences and flashbacks in movies and films. I took a very fast recording of someone hitting some orchestral chimes, slowed it down by over 200% and added some harmonic excitement and equalization in post production. Tools used:- usb logitech microphone (no lies, seriously used this $10 mic)- fl studio 12 by image line- vitamin by waves- dynamic eq by izotop. If you'd like me to edit or create any additional sounds for your project, please let me know. I'd be happy to help.

I was bored and made this loop on fl studio. I made this loop using no drum samples. (adding some effects to little motor sound i recorded)=========================================for making this, you mainly need gross beat with drum loop preset on volume (the bottom one) section. I have explained all the presets i used for this in the sound i have linked below. The another loop drum loop i made using this and layering some drum sampleshttps://freesound. Org/people/the_isot_is_back/sounds/640143/. Original motor sound that i used for making thishttps://freesound. Org/people/the_isot_is_back/sounds/640146/.

1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Part 2): Allegretto grazioso Genre(s): Piano concert

This is almost the same kick drum i´ve uploaded previously, but this has more compression and overtones in the sub bass, along with an interesting technique i´ve been doing, lemme explain. . . I put the original sample twice in my daw (fl studio if you ask),leave the first sound like it is and the second sample is being equalized in a way that only the sub bass is being showed, so i added to that the saturation plugin ivgi2 from klangheim industries and slammed it with the plugin ott by xfer records about 9 times. Equalized the sound again to cut the sub bass and leave the raw high end sound you hear, finally added an izotope ozone imager to make it wider.

Inserting, reading, launching a program, and ejecting a dvd-r in a usb disc drive (repackaged "hp dvdram gu90n" laptop drive) with the occasional rumble of a 2tb 7200rpm internal hard drive (in an enclosure) and mouse clicks. Computer fan may be audible in background. Contains seek noises. Recorded on blue yeti in omnidirectional mode and denoised in rx 8 (drive whine re-enhanced though as noise removal made it quieter). Labels added to audio in fl studio edison.

Synthwave, a lubed wobble dance. I took synthwave vibe loop from sss_samples and added some afro percussion, strings and wobble bass and turned this 80's disco flashback into a slightly more jiggy and definitely lubed up and wobblized. . Or so claims i. . . What say you?. Samples used on this track:. Sss samples : freesound. Org/people/sss_samples/sounds/386941/#. Franco "ferryterry" q. : https://www. Looperman. Com/users/profile/747210. Eendee : https://www. Looperman. Com/users/profile/173301. Buffalo nugaluss : https://www. Looperman. Com/users/profile/1048767. Arranged, recorded and mastered at pahlavi sound studios in los angeles, ca, usa 11/2018.

The first meeting of two people, in which the spontaneous falling in love with each other makes their souls vibrate. . . This sample was made with mixcraft 9 recording studio. I built this sample from several samples of freesound in the thought or commitment that i can not only take but also must give. I believe that human togetherness can only work this way. -------------------------------------------------------------maybe you are interested in my other music on pond5?https://www. Pond5. Com/de/artist/seelengold. In my other music here on freesound?https://freesound. Org/people/seelengold/-------------------------------------------------------------. Thanks to freesound. Org. And thanks to all who bring this project to life!. Many greetings from germany.

This is a recording of me vacuuming my carpet (a short carpet, not sure of the exact name of it), in a small studio apartment in kansas city, ks. It's recorded with the worst mic possible (a generic labtec microphone you can buy at an office supply store for like 10 bucks). I literally have no idea the vacuum brand, as i searched all over it for a whole minute, to no avail. But who cares the brand, because it sounds cool! (it has "120v~60hz 7amps" if that means anything to you) i am mainly vacuuming up kitty litter from the carpet because my cat likes to make sand castles for hours on end and she likes to think "outside the box" as it may. Oh, and there is an obstacle between the mic and the space i'm vacuuming, it's literally a screen room divider. I recorded this just because i thought it would be cool, plus i'm just starting an associates in audio engineering, so i figured i could get experience doing just about anything. Oh, and the end is my favorite part, just because i like listening to the motor click off and wind down. Ummm. . . Yeah, i think that's about it. Enjoy!.

I was bored and made this loop on fl studio (jumpscare warning at the end). Stems in order: kick, snare, shaker, transition, unlayered loop and the original sound that i made the unlayered loop from (some motor sound that i recorded). =========================================for anyone that might wanna recreate the unlayered loop, i made it using eq, some valhalla delay preset called magenta, gross beat plugin (chaos 4/drum loop), a plugin called "pancz" by oversampled (add punch & flavour preset), gross beat again (complex 10/drum loop) and little bit of bitcrush using fx(effector fx module). Original motor sound that i used for making thishttps://freesound. Org/people/the_isot_is_back/sounds/640146/.

Zip twisting mechanism sound, then a drop glug sound. Also sound like a bottle glug. Use examples: you can use this in a number of ways if you edit it. 1. Parking meter. 2. Edit/cut the sound so that it sounds like you are using a drink vending machine. 3. Use the end glug sound as bottle being put down. Or copy and past the glug multiple times in a row to simulate someone heavily drinking from a bottle. 4. Glug sound can be used as something dropping in water. -[ recording info ]-. I created this accidentally while making bead strand zip sounds and hitting the microphone. Studio mic: at4033recorded in: adobe audition 3mastered: using eq, compressed, noise gated, and normalized to -. 1. *no credit is ever needed to use my samples!*read my profile for further info.

Vidrinho. Wav, som de um conjunto de garrafas de vidro juntas, batendo uma nas outras, pode ser usado em qualquer tipo de filme onde existam carros ou caminhões transportando alguma coisa de vidro, gravado no estúdio da escola ort do rio de janeiro, em fevereiro de 2022. Os equipamentos são: um microfone- shotgun shure vp89, e uma placa de áudio - behringer u-phoria umc404 hd, foi um exercício de foley. Vidrinho. Wav, the sound of a set of glass bottles together, hitting each other, can be used in any type of film where there are cars or trucks transporting something made of glass, recorded at the ort school studio in rio de janeiro, in february 2022. The equipment is: a shure vp89 shotgun microphone, and an audio card - behringer u-phoria umc404 hd, it was a foley exercise.

Label: Disque "Gramophone" Cat. no.: DB 3703 Order number: 2EA 7144 Matrix/StamperID: 2EA 7144I / M6-97965 1st release date: 1939 1st recording date: 23 November 1938 Place of recording: EMI Studio No. 3, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Antonio Vivaldi (1678-1741) Music arranger(s): Johann Sebastian Bach (previously attributed to Wilhelm Friedemann Bach)[1] Performer(s): Piano: Alexander Brailowsky (1896-1976) Vocal range: instrumental Title/Work: Concerto in D minor (original work: Concerto in D minor from L'Estro Armonico, Op. 3 No. 11) (published 1711) Content: Part 1: Maestoso Genre(s): Organ work (concerto) Comments: RCM and ELP

The "annoying" speed chime, turned world famous drift hero by initial d; as it was intended to be heard by the toyota motor corporation. A common issue with these chimes is that the second impact is muted by the impact rod, this was mitigated in this file by holding the chime with a specific side up. This is marked by the second bell properly ringing out after the second impact. This rendition is a pre-timed, loopable, clean version of the chime, recorded from a real imported 86640-12070 "king kong" (kin-kon) chime. Sound created by attaching a power supply set to 12v ~0. 35a in an amateur studio. Like many of my files, these are completely free to use without even giving credit! :) my only request is you tell me where you use them!. These are also called 「速度警告チャイム」(sokudokeikoku chaimu) meaning "speed warning chime" and colloquially 「キンコンチャイム」 (kinkon chaimu) literally derived from the "kin-kon" sound it makes. Dream　on‼.

I took blimp66's "sad and silly vocal tune" and pitched shifted it a half step lower, and added danke's synth string pad loop, which i also had to lower the pitch on, all to make the perfect background music to mr. Lima "thethanx" brattleboro's poem "you are what you eat. " i checked off the explicit content box, cuz i'm not sure if the poem is actually appropriate for minors, even though it doesn't really have curse words in it. You decide for yourself. Samples used on this track:. Dave girtsman aka blimp66 : http://www. Davegirtsman. Com/ freesound. Org/people/blimp66/sounds/190628/. Lima brattleboro aka thethanx : https://www. Looperman. Com/users/profile/435244. Danke, der einzige meister-looper : https://www. Looperman. Com/users/profile/671112. Arranged, tweaked, recorded and mastered by mahan mahan at pahlavi sound studios in los angeles, ca, usa 11/2018.

Skyscrapers performed by the Airmen of Note of the United States Air Force Band. Track 5 from Air Power! (2019). Recorded at Bias Studios, September 30 – October 4, 2019. Credits: Alto Saxophone, Flute – Technical Sgt. Kristian Baarsvik*, Technical Sgt. Mike Cemprola* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne*, Chief Master Sgt. (Ret.) Paul Henry* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Timbales, Percussion – Master Sgt. David McDonald* Edited By, Post Production – Master Sgt. (Ret.) Rich Sigler* Engineer [Mastering] – Mike Monseur Engineer [Recording, Mixing] – Bob Dawson Executive-Producer – Colonel Don Schofield* Guitar – Master Sgt. Geoff Reecer* Music Director – Master Sgt. Ben Patterson* Piano – Technical Sgt. Chris Ziemba* Producer – Master Sgt. Ben Patterson*, Senior Master Sgt. Brian MacDonald*, Master Sgt. (Ret.) Rich Sigler* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford*, Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Master Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*